A Quote by Ian Rankin

When I was in my early 20s and still at uni, I won a short-story competition: £200 was the prize. — © Ian Rankin
When I was in my early 20s and still at uni, I won a short-story competition: £200 was the prize.
I wrote my first short story for a competition and won second prize. Another competition came up and I won first prize. The first story was published in a newspaper. The second went out on radio.
I wrote a novel in my early twenties; I won a high school prize - my short story got published, and I got 50 dollars, which was a huge deal.
Actors have a different kind of existence because they blow up over night into superstars in their early 20s. Let's say you were a superstar in your early 20s and somebody gave you millions of dollars, I mean come on. Let's be honest here, we don't know anything in our 20s.
In 1970, at the age of 14, I entered a short story contest offering a grand prize of one dollar. I won. This was my first foray into writing fiction. I loved reading and thought that it shouldn't be so hard to write a story.
Competition exists to choose who gets the prize when the prize can’t be shared.
Whatever you think The Uni-verse is withholding from you, YOU are withholding from The Uni-verse. If you think that The Uni-verse isn't answering your prayers, chances are you aren't listening to your intuition and following it. You are so scared that you ask for new intuition, but that's not how life works. The Uni-verse is constantly whispering to you, nudging you to trust It and take a leap. But if you don't take the leap of faith, then The Uni-verse can't open any more doors for you.
They gave me away as a prize once - a Win Tony Curtis For A Weekend competition. The woman who won was disappointed. She'd hoped for second prize - a new stove.
When I started out in the early 1930s, there were a great many magazines that published short stories. Unfortunately, the short-story market has dwindled to almost nothing.
Before 'Gavin & Stacey' I'd won a BBC short-story competition.
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'what's the party going on right now that I should be going to?
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
When I got into my early 20s, I was going to bed one nightI was still drinking, still using drugs, and probably was drunk or high or both when I just picked up the Bible and started reading to go to sleep. I was amazed at how well I slept, but even beyond that, the next day, there was this peace of mind that was still there that I wasnt used to.
Our mandate is to find the 200 best companies in the world and invest in them, and find the 200 worst companies in the world and go short on them. If the 200 best don't do better than the 200 worst, you should probably be in another business.
It's early in the morning and your competition is still sleeping.
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