A Quote by Ian Simpson

Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.
One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.
My perspective comes in part from being a New York black lady, in part from being an engineer. I know I'm smart and have opinions worth being heard.
Being black in America - especially as I was growing up - the feeling of oppression, the feeling of being outcast, the feeling of not having a voice was part of my life.
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
Growing up, I saw Mum as being so celebratory of our culture. So I was surprised to hear - during discussions sparked by the Black Lives Matter protests - about the racism she experienced growing up, and the shame she once felt about being black.
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
A part of being black in America and, you know, I presume being any minority, is constantly being told that we're being too aware of race somehow, we're obsessed with it or we're seeing racism where there just isn't racism.
The people, the culture... there's so much magic in Colombia, so I feel like being a kid, being able to have that, being able to also call Colombia my home, it was such an important part of my introduction as an artist, too, because it's such a big part of my life as a human being.
But if you think about a practical implication of enriching your life and giving you a sense of being part of a larger cosmos and possibly being able to use this [gravitational waves] as a tool in the future maybe to listen not just to black holes colliding, but maybe listen to the big bang itself, those kind of applications may happen in the not too distant future.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
The way I was taught, being black was a plus, always. Being a human being, being in America, and being black, all three were the greatest things that could happen to you. The combination was unbeatable.
My dad worked two jobs and moved us to the suburbs, and just being a black person, I went through a lot of racism and being called names and being bullied every single day. And it was hard. I didn't have any friends.
There is a gambling element to being somebody who is going to take on the job of constantly trying to represent and prop up people who might be somewhat shady. That notion is probably part of how they got the rap. But, I have to find the balance of being colorful, being at times despicable, and also being somebody who does believe in something.
Knowing that I was potentially going to be the first black Bachelorette actually held me back from wanting to do it. With the first, there's always so much pressure. And I knew I was going to be new to the audience as a lead for a number of reasons - being over 30, being a career woman, and also being black.
As a black member of parliament and minister for nearly a decade, I was determined not to be defined by my race. I didn't want to be 'the black politician', when being black is just a part of who I am.
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