A Quote by Ian Somerhalder
There are always decades that interest people. For me, that's the Roaring Twenties.
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I went to an audition for a Harry Belafonte Roaring Twenties special for choreographer Donald McKayle, but I failed.
The Roaring Twenties were the period of that Great American Prosperity which was built on shaky foundations.
Fighting the terrorists in Syria is not only in the interest of Syria or the Syrian people; in the interest of the Middle East, of Europe itself - something that many officials in the West don't see or don't realize or don't acknowledge - and in the interest of the Russian people, because they have been facing terrorists for decades now.
I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.
World War II has always been of great interest to me. I've known for decades that it was just one more war the politicians suckered us into.
I felt quite frankly having been raised during the depression and looking back at the roaring twenties, the jazz age, which was a very magic timer in my mind because it was something that I had missed.
I lived my twenties in a very public manner and if anyone's twenties are documented it's not always going to be pretty.
You never make all things for all people and can't always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.
When I was growing up in the mid-'50s, the Roaring Twenties were a huge part of the culture. There were a number of films and a bunch of television shows that dealt with the mythology of the underworld from that period.
Everyone thinks of the roaring twenties and associates it with decadence and flappers, female sexual liberation, the freedom of women to express themselves, the beginning of feminism. But it was also a time of huge, huge change.
People always think that when they grew up it was better. The people who went to Studio 54 say, "Oh, this is nothing!" or "The Limelight is nothing. In our day it was much better." But I mean, it's always great. It's always fresh to the kids. And to me, you've just got to make it happen. You can't be a downer and say, "This is nothing like the roaring 20s."
I think when I was in my early twenties and middle twenties I didn't even know I wasn't living up to my potential. A couple of friends told me I wasn't and told me to get my act together, and it made a huge impact on me.
For people who grew up in the last four decades of the 20th century, it is hard to grasp the concept of negative interest rates. How is it even possible? If interest rates are the price of money, is the marketplace broadcasting that money is on sale? Are we just giving it away?
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.
After world war all we got was a lot of conformity, and conservatism and when I was in college at the university of Illinois the skirt lengths dropped instead of going up as they had during the roaring twenties and I knew that was a very bad sign, and it is symbolic and reflective of a very repressive time, and some of that was laid the feet of the cold war.
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