A Quote by Ian Thorpe

There is water in every lane, so it is OK. — © Ian Thorpe
There is water in every lane, so it is OK.

Quote Topics

It's OK to want to look and feel your best. It's OK to work at being attractive, whatever that means to you. And it's also OK to not expect to be defined by that. It's OK to be powerful in every way: to be big, to take up space. To breathe and thrive.
At a certain point, this is a brand. It's got to be bigger than me as one little person. We have a lane - and it's a good lane - and want to drive faster down that lane.
Is it OK for Amazon to know every word of every book you've read? Are you comfortable with that? Maybe you are. Is it OK to let everybody know you eat Corn Flakes? OK, but then there are certain products you might not want people to know that you're using. ...
Is it OK for Amazon to know every word of every book you've read? Are you comfortable with that? Maybe you are. Is it OK to let everybody know you eat Corn Flakes? OK, but then there are certain products you might not want people to know that you're using.
People really feel like music is free but will pay $6 for water. You can drink water free out of the tap, and it's good water. But they're OK paying for it.
I grew up during the war years in a tiny cottage with no electricity. Water for washing was pumped from a pond. My brother and I had to fetch drinking water from a tap at the end of the lane, and light was from candles, paraffin lamps, and our nightly log fire.
I created my lane. No one can ever run my lane because it's mine. I'm the Michael Jackson of my lane. And you know, nobody was as great as Michael. I love Prince, but he's not Michael.
We didn't have the lane ropes, we had to get up higher in the water to avoid the little waves.
It is ok to err, but it is not ok to stop playing; it is ok to lose, but it is not ok to give up.
My only crash - I'm a safe driver, though I have scraped a couple of cars parking them - but my only real big crash was on the M11. It was a section with no street lamps, and it was really late at night so it was really dark. I was driving along in the middle lane doing 70mph, not going fast, and then suddenly in the lane in front of me there was this Ford Ka on its roof. I had no chance. I managed to avoid hitting it, but I span the car and hit the barriers. It was a write-off, but fortunately the person who'd been in the Ka was OK and I was fine, which is what matters.
The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced by an abstraction, the fast lane. In the fast lane, the passive observer reduces everything - streets, people, rock lyrics, headlines - to landscape. Every night holds magical promises of renewal. But burnout is inevitable, like some law of physics.
I've always operated so far outside my lane, I'm not sure what lane is mine anymore.
Years ago I was in a band called Two Lane Blacktop - we deliberately named ourselves after the 'Two-Lane Blacktop' movie, 'cuz it's a car chase movie. All our songs were based on movies, every single song. I love movies, and that was something that me and the singer in Two Lane Blacktop bonded over - we were design students together, we did a film-class together, so we became obsessed with movies. It's followed me around ever since then, it's a constant theme.
I think it's so fun that my art isn't centered in one sound or rooted in one lane or whatever. It's just the Bree lane.
If you snort enough blow, any lane is a passing lane.
With everything that is going on with hip-hop and with what everybody is doing I don't want to be in that lane. I think my lane is very different.
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