A Quote by Ian Ziering
We barely had cell phones on '90210.' It started in the '90s. That's pretty much when fax machines came into play. When I first got the script for '90210' I had to come into New York to get it. It was not emailed to me; there was no email.
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Fact: The new '90210' is cooler than the old '90210.' It's the lithe, streamlined Skipper to the elder series' venerable Barbie. Gone are the traditional parents - they've been replaced by a hipster mom n' pop who get busted necking in the car.
I always loved '90210' growing up. It was one of my favorites - the old-school '90210'.
'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.
I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
Honey, I've watched a lot of 90210. The parents weren't even on the show once Brandon and Brenda went to college. This is your time - you're supposed to going to frat parties and getting back together with Dylan." "Why does everybody want me to go to frat parties?" "Who wants you to go to frat parties? I was just kidding. Don't hang out with frat guys, Cath, they're terrible. All they do is get drunk and watch 90210.
My grandmother came with me when I moved out to New York. She stayed with me for a week. I was, you know, living in the dorm. The first year, I had a lot of anxiety, and, I remember, my teachers kept saying I had so much jaw tension.
When I read the script for '90210,' I thought, 'Boy, this is very superficial,' and it was. I mean, the pilot was all about the glitz and the glamour of Beverly Hills, the obnoxious kids, and the fish-out-of-water story of Brenda and Brandon Walsh. I couldn't discern from that first script that the show would become very issue-oriented.
I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.
I named my sons Brandon and Dylan after the Beverly Hills 90210 characters. Both of them were born in my bathroom. I had Dylan in my tub, and he came out underwater.
I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.
I had someone call me this morning telling me they had somebody who would only work a certain number of hours a week because if they worked too many hours a week then they couldn't get their government assistance. And that person has multiple cell phones, and gets them new every month with new minutes.
In '83 I started travelling round Europe with my slide show. It wasn't until I moved to Europe and got accepted in a big way in Berlin in the '90s that I got acceptance by the big art world in New York. I didn't really get to be known, or in the market, til '93 in New York.
I was known for a lot of dunks, but my first big dunk really came here in New York. I had some others back then, but my first major dunk came against the Knicks and Kenny 'Sky' Walker. So, you know, New York has a lot of meaning to me.
Cell phones were more popular in Cambodia and Uganda because they didn't have phones. We had phones in this country, and we were very late to the table. They're going to adopt e-books much faster than we do.
My first break was becoming a staff writer on the rebooted '90210.' And then I got stuck writing in the teen genre for a while.
The cell phone has transformed public places into giant phone-a-thons in which callers exist within narcissistic cocoons of private conversations. Like faxes, computer modems and other modern gadgets that have clogged out lives with phony urgency, cell phones represent the 20th Century's escalation of imaginary need. We didn't need cell phones until we had them. Clearly, cell phones cause not only a breakdown of courtesy, but the atrophy of basic skills.
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