A Quote by Ian Ziering
As an actor, you know that every act has a closing curtain.
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My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
It's always a problem, getting the curtain in at the end of the first act; having enough of a resolve so that you can bring the curtain in and then opening the show a second time is a little bizarre as a tradition. I've always preferred to go straight through.
There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
I always feel that there is a curtain, you know, that if I could just peek behind the curtain I'd see how the world really works. And since I haven't had it I have to write about it instead.
If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body.
You don't pay an actor to act. An actor will do that for free because we love to act. You pay an actor to wait.
The act the act must not be a revenge. It must be a calm, weary renunciation, a closing of accounts, a private, rhythmic deed. The last remark.
Every actor I know - any reasonable actor I know - is complicated. What you see and what they are, those are two very different things.
We know we can't stop every act of violence, every act of evil in the world, but maybe we could try to stop one act of evil, one act of violence.
Every act of reverence, every genuflection that you make before the Blessed Sacrament is important because it is an act of faith in Christ, and act of love for Christ. And every sign of the cross and gesture of respect made each time you pass a church is also an act of faith.
When we went on the air, I didn't want to be interrupted for an act-one curtain.
We go to the opening arguments or the closing arguments of a case, and we'd see which actor got the big one. I had a seven-page one once which just about killed me, and I thought, 'Oh, I'm going to get fired, that's it, I can't do it.' It was like a one-act play, and I had a few weeks to learn it, luckily. But it's terrifying.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.
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