A Quote by Ian Ziering

It's intimidating when you have to stand onstage amongst a bunch of men who are dedicated to maintaining peak musculature and athleticism, and they're six-five, 240 pounds of twisted steel and sex appeal. It's a lot to stand up to... My goal is to not look like Chris Farley.
A lot of improvisers mistakenly assume stand-up is awful, because there are a lot of stand-ups in the world that did not appeal to me. It was so easy to make a blanket statement when I was improvising only: 'Stand-up's terrible.' It's so ignorant and stupid to do that. But it's easy to do that. So that's where I came from.
[Chris] Farley was a dear friend, and we remained close right up until the end. You know, there was nobody more fearless comedically than Chris. And that's saying a lot, because I'm friendly with a lot of funny people.
First, I wanted to be Chris Farley. When I was growing up, Chris Farley was still on the stages and fun to us. In my house, John Belushi was king. I didn't grow up when he was - I was born in '78 - the reruns of Belushi in 'Animal House,' and knowing he was at Second City, he was viewed as a king in my house.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
The crowds treat me like my last name. When I go onstage people usually stand up, I never ask them to, but they do. They stand up and they don't know how much I appreciate it.
My stand-up is more like how I am in real life. I don't really do a character thing in stand-up. It's just a bunch of sentences that are supposed to be funny.
A lot of women do stand-up as a gateway into acting, but I love stand-up, and to be a good stand-up, you have to go on the road a lot. It means going to places in America where they've never seen a Vietnamese person in their life.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
When you're doing stand-up, you want to stand onstage and, to the extent that you can, uncomplicatedly entertain.
I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
As far as stand-up, a lot of Asians and Chinese are not as apt to stand-up, especially the older generation since they don't even know what stand-up is.
The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.
We are talking about one of the greatest threats of all. But people can stand up to the school nurse; you can stand up to the teacher; you can stand up to the principal; you can stand up to them with the facts and the right books.
I do secret stand-up shows around New York. I announce and tweet this to nobody - I get onstage and I do a quick five minutes.
I want to be able to challenge myself. And do things that are away from what I usually do. Stand-up is safe for me. I can do stand-up in front of twenty-five thousand people, and I'm like, "I know how to do this. This is what I do." I want to be a little scared.
There's a lot of nuances to stand-up that you definitely see when you watch someone like Chris Rock in that his body position is also part of why the joke works.
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