A Quote by Ian Ziering

Dancing isn't easy, and to just jump into three to four hours of rehearsals a day is a lot. — © Ian Ziering
Dancing isn't easy, and to just jump into three to four hours of rehearsals a day is a lot.
I work out four hours a day - I do a lot of swimming, dancing, and gymming.
As an athlete, I'd average four hours a day. It doesn't sound like a lot when some people say they're training for 10 hours, but theirs includes lunch, massage and breaks. My four hours was packed with work.
You can only train three or four hours a day, so what do you do with the other 20 hours?
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
I'm doing four hours of gymnastics training a day, six days a week and then an extra two to three hours in a fitness center as well.
You have to stand every day three or four hours of visitors. Nine-tenths of them want something they ought not to have. If you keep dead-still they will run down in three or four minutes. If you even cough or smile they will start up all over again.
I bounce off four walls, 24 hours a day, seven days a week, because I only sleep those four hours a day.
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.
I'll train three, four, five hours a day if I can.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
I think it's terribly important to watch TV. I think there's a sort of minimum number of hours of TV a day you ought to watch, and unless you watch three or four hours of TV a day, you're just closing your eyes to some of the most important sort of stream of consciousness that's going on!
I practice my saxophone three hours a day. I'm not saying I'm particularly special, but if you do something three hours a day for forty years, you get pretty good at it.
I sleep for about four hours a night, or day really. I go to bed at, like, 9 A.M., sleep for four hours, then get up and start the day again. I don't mind if that's not healthy.
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