A Quote by Ian Ziering
Major motion picture studios spend hundreds of millions of dollars trying to capture some of whatever it is that makes our little 'Sharknado' movie globally popular.
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People spend hundreds of millions of dollars to make movies that don't do anything. I mean, no one's talking about 'Pacific Rim' today. No one's talking about 'The Lone Ranger,' and those were $100 million movies that didn't have nearly the impact that 'Sharknado' did.
If this government can send 20 billion dollars to Latin America to some peasants who have never fought for this country or worked for this country or have - or - and is sending hundreds of millions of dollars to Africa and Asia to try and buy friendship of people who will never be friendly toward them, then they should be even more quick to spend some - whatever amount of money is necessary to get inside of their house straight, before it's too late.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
There was such mass appeal for 'Sharknado.' It went over so well - not just here in the United States but globally - that it would be such a missed opportunity and a ripoff for the fans not to bring 'Sharknado' back.
When a man makes a specialty of knowing how some other fellow ought to spend his money, he usually thinks in millions and works for hundreds.
It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names.
With major films costing hundreds of millions of dollars to make, Hollywood is an industry that tends to repeat patterns when they make money.
If he [Uncle Sam] can't do this [integration], then they will - it will alienate them. And all of the hundreds of millions of dollars or billions of dollars that he has sent abroad trying to buy the friendship of the dark world will go right down the drain.
If I was one of the leaders...if I was just a leader of one of these studios what I would do is I would go to all my cohorts who run other studios and say let's make a deal. Let's each of us make three 3D movies a year or whatever the number is. Let's not take every movie and make it a 3D movie. Let's take our three tentpoles or whatever movie it is so you have a specialness to it.
In the area we're discussing, leadership begins on Madison Avenue, on the desks and in the offices of people who spend hundreds of millions of dollars buying what will get them ratings.
There's little that compares with the thrill of a hit major motion picture experience.
Every major press organization works out of its own little space in the White House. Picture a mini cruise-ship cabin, or a row of four seats on an airplane: that's about all the space we have. You spend hundreds of hours inches away from your colleagues.
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
I think about the period of, like, the '70s and early '80s where nobody had money to make big movies and there was no CGI or anything like that and people had to get super creative. And then, you know, when you've got somebody who can paint you any picture on a computer and you get hundreds of millions of dollars to make a movie, its almost like the creativity diminishes somewhat.
I never cared about money. I'm not destined to be a rich woman. I'm destined to be a woman who makes a lot of money and never has any. I've made millions and millions and millions of dollars and I just spend it.
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