A Quote by Ibn Warraq

The West has given the world the symphony, and the novel. — © Ibn Warraq
The West has given the world the symphony, and the novel.

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From the explanatory notes that Willson wrote to accompany his symphony, A Symphony of San Francisco,: "Generally speaking, the first movement is intended to convey pioneer courage, loyalty, strength of purpose and freedom." The trumpet motive in the closing Allegro "is a call of defiance to the very elements themselves that had the temerity to dispute the spiritual strength and courage of the golden city of the West."
The West has never been all of the world that matters. The West has not been the only actor on the stage of modern history even at the peak of the West's power (and this peak has perhaps now already been passed)... It has not been the West that has been hit by the world; it has been the world that has been hit - and hit hard - by the West.
You stimulate the neo-cortex, it produces a symphony. But it's not just a symphony of perception. It's a symphony of your universe. Your reality.
A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
And in any case, to the old man, when the world becomes trite, the triteness arises not so much from a cessation as from a transference of interest. What is taken from this world is given to the next. The glory is in the east in the morning, it is in the west in the afternoon, and when it is dark the splendour is irradiating the realm of the under-world. He would only follow.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other.
We must stop posing as victims of the West and behaving negatively towards the West. We must participate with the West on an equal footing in the reconstruction of the world.
Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.
I've come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.
If someone does learn about the world from reading a novel of mine, that makes me very happy. It's probably not what brings me into the novel in the first place - I usually am pulled in by some big question about the world and human nature that I'm not going to resolve in the course of the novel. But I'm very devoted to getting my facts straight.
Urban renewal always happens as a symphony of events, and part of the symphony is innovative, optimistic developers with the ability and willingness to transform historic properties.
Yes, there's a relaying of internal states that only a novel can achieve. In my view, the novel is one of Europe's greatest gifts to the world. America and Africa collaborated to give the world jazz. We'll call it even.
Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.
I'm just not arbitrarily choosing to have five guitars play one type of thing. In that way there's a definite similarity between a symphony orchestra and the 100 guitar symphony.
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