A Quote by Ice Cube

I feel like I got a whole lot of living to do before I think about summing it up in a book. — © Ice Cube
I feel like I got a whole lot of living to do before I think about summing it up in a book.
An intelligently planned feast is like a summing up of the whole world, where each part is represented by its envoys.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
We don't have a whole lot of people living hand-to-mouth in the Writers Guild, we get paid really well, and a lot of the things we fought for, in my case, I can negotiate. I can negotiate higher DVD rates or anything I want, it's not going to be a minimum basic agreement. But I do think it was important to stand up to them. I do think that we got things in the deal that we wouldn't have gotten had we not stood up to them.
Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.
I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.
I think a lot of people - to be candid about it - are like, if Donald Trump can be president, so can I. And I think there's a whole crop, a new generation of people who aren't on the tip of anyone's tongue, just like Bill Clinton wasn't on anyone's tongue; just like a lot of people didn't expect Barack Obama to take off like he did. I think we will have a lot of new people running, and there are obviously a lot of fantastic people who have run before, or standard-bearers, right. All right. So, I think there's just going to be a ton of those people.
Women are wonderful, but they get so caught up about their body. We need to unhook from worrying so much. When I don't feel good, I look in the mirror and think I look fat and miserable. But when I feel good and whole, I'm not worried about my body because I'm living in it. It doesn't become an object.
I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
Here's what I think. I think that a lot of days, for me recently, it's like every split second the whole universe is created and destroyed. It's like constantly collapsing and reforming. And I think a lot of people feel that. I think that love is the answer and that's the only thing that matters.
Basically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
I'm living in Sydney now - but you know when you've grown up in a certain place and you end up living in another, you never really quite feel like it's home. You feel like a bit of an impostor. I feel like I'm in a place that's moving faster than I can swim.
I have a specific routine before every match. I like to grip my rackets, because I feel that someone else won't do it how I like them. But the biggest thing is that I don't like to stress about my match all morning. Twenty minutes before, I'll sit down and think about the game plan and warm up. And then I just play.
I don't think ever before in the whole of human history has so much art been made, bought, and sold. It's a massive international business. So, I think there's a lot of reasons why the art world as opened up and I think on the whole, it's far better for it.
I'd be quiet as a mouse if I didn't have the correct feeling about my music. I feel like I'm able to talk about it and say I'm one of the best because I think I got the music to back that up. I got the live show to back that up. That's all that matters.
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