A Quote by Ice Cube

People associate clothes with actual behavior, and it's kind of crazy. If you get shot in some Levi's you don't go after Levi's. It's not the clothes. It's always the people.
This is why I can't be with Levi. Because I'm the kind of girl who fantasizes about being trapped in a library overnight-and Levi can't even read.
Do you think that clothes have a life of their own, and maybe have unsuitable affairs with opposite styles? I mean - you look at some people - their clothes go on flirting long after the people inside them have lost interest.
Cath wanted to go back and rewrite every scene she'd ever written about Baz or Simon's chests. She'd written them flat and sharp and hard. Levi was all soft motion and breath, curves and warm hollows. Levi's chest was a living thing.
It has no denim-toned house paint. Levi makes what is essentially a commodity: blue jeans. Its ads may evoke rugged outdoorsmanship, but Levi hasn't promoted any particular life style to sell other products.
British people still wear clothes. By clothes I mean actual clothes: jackets and shirts and ties and suits. The spirit of Beau Brummell is still visible. English men make an effort. We’ve lost that in the US. Everyone is more concerned with being comfortable.
You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing.
I've always been a T-shirt, Levi's, leather jacket, and combat boots kind of girl.
I always laugh because if I walk through the mall in my gym clothes a ponytail I get recognized but if I'm in street clothes or dressed up not very many people notice.
Again and again, Primo Levi's work is described as indispensable, essential, necessary. None of those terms overstate the case, but they do prepare readers new to Levi for a forbiddingly educative experience, making him a writer unlike all others and the experience of reading him a chore. Which it isn't.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
In women's shelters the kind of clothes that women are given to go to job interviews are all girl clothes: little heels, little skirt. If you're gender nonconforming, you're a lesbian, you're not going to put those clothes on to go to a job interview.
I'm a great admirer of Primo Levi's work. It's always mind-boggling, the idea of how much pain people can endure and still come back from the edge with a sense of humor, with this tremendous animal desire we have to get on with life.
I'm not a movie star. I'm a brand name. Van Damme is like Levi's. I go on vacation, and everywhere I go, people love me for my name, not for my movies.
I want people to fall back in love with clothes like they did in the old days, and value what they buy a little more, and look after clothes better.
This site uses cookies to ensure you get the best experience. More info...
Got it!