A Quote by Ice Cube
People wanted to have fun more than they wanted to learn from their music, and that's where the shift started to happen.
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As I got older, I started to do it more and more, and I wanted to learn all of the different types. I grew up doing modern, so I wanted to learn ballet, tap, jazz, and African - just everything.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
I came into music kind of late in life - until I was 17 I wanted to be a spy, wanted to be James Bond, so I had to learn rather quickly and practice longer than most people did to play catch up.
I wasn't the most confident of cooks, but I just persevered, and I wanted to learn, and I wanted to be a sponge, and I wanted to be better than the next person, and I wanted to learn as much as I could, so I just kept pushing, and it took me a long time actually to be confident in my technique and my ability as a cook.
I wanted to start doing more music, doing more things than just playing guitar. I started taking singing lessons and piano lessons. I need to learn more things, to be an artist or whatever, and then transfer that back into writing songs.
My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
I wanted a new experience, to learn another language. I wanted to be different. I wanted people to realise I'm taking my coaching career very seriously. I wanted to create my own pathway.
You want the people to know, but you don't really want the things behind it. I have everything I ever wanted. I never wanted a big house. I never wanted a Ferrari. I mean, as I proceeded with the music, I started liking Ferraris...
You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization. There was a lot that I wanted it to do, and I wanted it to be fun. It's fun, but it's not simple fun.
Since I was old enough to understand what a songwriter/producer is, I've had a curiosity about how Max Martin creates what he creates. I wanted to see that happen. I wanted to be there. I wanted to learn from him.
To be fair, when I started doing 'Verdict' I literally had no idea what I was doing. I wanted to do some theatre, as I wanted to do something different. I wanted to learn and get an understanding of the craft.
I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
I started culinary school at a very young age, and really I wanted to be out working, cooking, more than I wanted to be in a classroom. You could say I wasn't a very good student - I wanted to be a student of life and experience.
I started making movies in my late 20s, that time in an artist's career that often sees artists just imitating things that he or she loves. I just wanted to be great like L'Age d'Or vintage Buñuel. I wanted to be Busby Berkeley, for crying out loud! I wanted to have chorus girls stomping their heels in my casting office. I wanted to be Erich Von Stroheim monogramming underwear for extras. So I started off my career doing that, and that was fun, but I realised I wasn't very good at it.
When I started making music, I just wanted to be the producer who sang the hooks. I wanted to be Pharrell, honestly, the one who made the beats and was in the music video with the girls.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
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