A Quote by Ice Cube
Most actors have to sit by the phone and wait for somebody to call them up to audition and stuff. I don't think I can exist in Hollywood just on that. I think I need to be proactive and making sure that things I really want to do are being developed to the point where somebody wants to make them?
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There was a guy with mental illness in the middle of the street just yelling and hollering. I have a number that I can call - it's not 911 - to tell them, "You need to help this man get out of the street." But you have to be that person, you have to pick up the phone, you have to do it; you can't just walk by and act like they're not people. They're somebody's kid, somebody's dad, somebody's brother.
As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.
I can't give parties. It's so hard. When I want to call somebody up for dinner they think I'm using them or something. I just can't stand it.
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
I'm not that keen on fierce dictatorship. I think that sort of the point of working with somebody is them coming up with stuff and feeling free to do that.
We must control the tendencies within our being that are destructive, when we want to slam somebody else, hurt them, injure them, or push them out of the way. A reverence for life needs to be developed, in which all things are sacred.
It is ridiculous that somebody picks up the phone and calls somebody they see on television. Why don't they call somebody in their area? Don't they know about that?
I've had moments when I've thought about somebody, picked up the phone to call them and they are on the line already, and I think that maybe there's some vibration, some connection.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
Nobody wants somebody who wants them for what they have or the position their in- you want somebody who wants you for you. In case it all goes crazy and it all turns to dust. I want somebody who loves me in the welfare line, eating gumbo, eating fish,black eyed peas and rice. I want somebody that loves me. God wants you to love him, not his cars, not his house, not his blessing- love him.
One of my beliefs as a filmmaker is that if you can make somebody laugh, you can make them listen. With laughter, you can get somebody's guard down, you can open them up to listening to you. They don't feel like they're being preached to or talked down to. I think it helps, it makes really hard to understand information a little more accessible and palatable. And at the end of the day, it makes a movie a little more fun. It doesn't feel so heavy handed.
People like RZA and DJ Premier are really on the balcony to scope my musical theories. They also help me focus on making sure I make money, making sure I get the notoriety I should, just regular stuff that friends do when you're in the business. And to call them friends is amazing.
Every choice you make as an actor ends up being really influential on your life, because you're spending a lot of time working on this project, and you want to make sure you're making good choices and you're not making them for the wrong reasons. I just want to be careful and not jump into anything.
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