A Quote by Ice Cube

I believe how you measure a good movie is how many times you can see it. With comedies, I like to be a producer, because comedies can get corny and go off track real fast. I'm always the 'less is more' guy when it comes to a scene. So I'ma be the one who will keep it grounded.
With comedies, I like to be a producer, because comedies can get corny and go off track real fast.
I'm always the "less is more" guy when it comes to a scene. So I'ma be the one who will keep it grounded. Even if I let it go off and go crazy, I'm still the voice of keeping things grounded in reality.
I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.
There are so many great comedies, right now. I like how comedies are really mixing. They're not just one thing. It can be very moving and dramatic, and yet hilarious.
How many times go we to comedies, to masques, to places of great and noble resort, nay even to church only to see the company.
I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things. I'm looking for something a bit tougher, more muscle mass, something small, but the thing is, I get all the best comedy scripts, I don't get all the best drama scripts. So I'll just go with what's the best script.
I could keep trying to do the same kind of comedies. You know how it's going to go, and you can get an audience with it, but then I feel like a hamster on a wheel.
There's not many good comedies to watch - you know, comedies that make you glad you watched them.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
I don't go to see many comedies anymore, because I guess it feels like another day at the office.
I don't see myself doing any comedies. I like comedies as much as anyone else; I just don't really have a desire to do them.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
I would say 80% of the scripts I get are dramas and not comedies or romantic comedies, which is funny because that's what I do every week.
I've been in very few flat-out comedies. But I feel like I've always made comedies.
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