A Quote by Ice Cube
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
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My father was a huge jazz fan, so I remember him playing Duke Ellington, Sarah Vaughn, and Count Basie.
It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good.
I was raised on jazz. My father, from the time I was born, used to get up early on Saturdays and Sundays and put on Count Basie, Duke Ellington, Kenny Burrell, Sarah Vaughn, John Coltrane - all these great, classic albums.
Count Basie was college, but Duke Ellington was graduate school.
My father was incredible on trumpet and played with the likes of Duke Ellington and Count Basie.
My dad was a jazz fan and he used to have lots of old 78s, so I grew up with big jazz bands and the likes of Duke Ellington and Count Basie - although I really liked show tunes from those big musicals as well. I've always kept my ears open, as it were, when it comes to music. It doesn't matter to me what type of music it is. If I like it, I'll listen to it.
...funny how people want a return to the good ole days. Of coarse the good ole days of being a rich white plantation owner. Everyone seems to forget the poor white farmer.
I think I go with the Duke Ellington view on music. He said, 'There's two kinds of music - there's good music, and then there's the other kind.'
The good old days were never that good, believe me. The good new days are today, and better days are coming tomorrow. Our greatest songs are still unsung.
I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
Never mind the transience of show business and popularity. When we hear Ray Charles, we go, 'That's a great singer.' You don't need a reporter or a writer to tell us. Good is good and it should shine through the years.
Tom Jones is funny to me, man. I mean, he really tries to ape Ray Charles and Sammy Davis, you know. He's nice-looking; he looks good doing it. I mean, if I was him, I'd do the same thing. If I was only thinking about making money.
The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.
Guys like me and Ray Charles, when we was coming up through our days, country music and soul music was just a very thin line between the two.
As I lay so sick on my bed, from Christmas till March, I was always praying for poor ole master. 'Pears like I didn't do nothing but pray for ole master. 'Oh, Lord, convert ole master;' 'Oh, dear Lord, change dat man's heart, and make him a Christian.'
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