Rhyme to kill, rhyme to murder, rhyme to stomp,
Rhyme to ill, rhyme to romp,
Rhyme to smack, rhyme to shock, rhyme to roll,
Rhyme to destroy anything, toy boy.
On the microphone:
I'm Poppa Large, big shot on the East Coast.
Ladies gotta say no to their husbands at the movies. They gotta say: "No, we are watching back-to-back cancer movies. And then this movie about a cat."
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
I am a team player - and that is what you need to be an effective point guard. You gotta see the court, you gotta set up the play, and you gotta let others execute for the most part. I don't throw elbows for the sake of throwing elbows, but if somebody throws one at me and it's necessary to respond in kind, I suppose I can if I have to.
"Tabernacle" was probably the easiest song I'd ever wrote because all I really had to do was rhyme the words since the whole story, front to back, was already in my head. All I needed to do was verbalize it, and if it didn't have to rhyme I could've just freestyled it because I already knew what I wanted to say.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
Nobody breaks in a fight and comes back in the same fight. Once you break, you're done for the night. You've gotta go back. You've gotta shower up. You've gotta fly home. You've got to reassess, take three or four months, and try it again. But that Anderson Silva breaks in that fight, and still finds a way to win, is remarkable.
A lot of times you can lose the MP3s - it's a lot of labor to be finding it again, putting things back up. You gotta back up, back up, back up.
Music changes. Nothing stays the same. You just gotta be able to roll with the punches. When the music changes, it's not that you gotta change too - it's that you gotta be able to maintain and hold your ground.
There comes a point in the game where you gotta make a play or you gotta do something to get your team over the hump, and when that time comes you gotta be able to do it.
Some rhyme a neebor's name to lash;
Some rhyme (vain thought!) for needfu' cash;
Some rhyme to court the countra clash,
An' raise a din;
For me, an aim I never fash;
I rhyme for fun.
I was the lead singer in a lot of the bands I was in. You have to be comfortable. You gotta get up there and sell the song. You have to get up there and sell the lyric. You gotta be able to feel it.
I can't cuss and tell jokes the rest of my life. I gotta say something meaningful. I gotta give something back to a Creator who has given so much to me.
To be a Hottie you gotta have a lot of self-love, a lot of confidence, you gotta be able to put your foot down. Hotties are supposed to turn other people into Hotties too. If you see someone that's not quite confident, you gotta be the Hottie to gas up your friend.
We can't have special interests sitting shotgun. We gotta have middle class families up in front. We don't mind the Republicans joining us. They can come for the ride, but they gotta sit in back.
I mean, I gotta say one of the greatest victories on that show was when we got picked up for the back nine of the first season, and they made it a full order.