A Quote by Ice T

You can't just sing the song and live another life. — © Ice T
You can't just sing the song and live another life.
When I sing, I try to live the song or live the emotion of the song. The space I'm in doesn't exist. It's another world.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
Live well. Sing out, sing loud, and sing often. And God bless the child that's got a song.
The whole life of a song doesn't end with the way that it sounds on the record. How does this song grow? What works live? What do people like to sing along to?
We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
Make it simple to last your whole life long. Don't worry that it's not enough for anyone else to hear. Just sing, sing a song
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.
There are so many songs out there in the world that - if I know we have to come up with a new cover, then I'll just sit in my room and sing song after song and figure out which one I can kind of sing the best.
I'm not deciding what the artist is going to write about because it's the artist. They're gonna have to sing that song for the rest of their life. When they're old and they're 80 and they have their show in Vegas, they're gonna have to sing that song for the rest of their life.
Sister Simplicitie! Sing, sing a song to me,-- Sing me to sleep! Some legend low and long, Slow as the summer song Of the dull Deep.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
the novel is inherently a political instrument, regardless of its subject. It invites you - more than invites you, induces you - to live inside another person's skin. It creates empathy. And that's the antidote to bigotry. The novel doesn't just tell you about another life, which is what a newspaper would do. It makes you live another life, inhabit another perspective. And that's very important.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
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