A Quote by Ice T

What I'm trying to tell people is that police brutality in the 'hood is nothing new. And the thing is that whether this guy, the cop killer in my song, is real or not, believe it, there are people at that point.
In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.
Look, at some point, people have to tell their kids that Santa Claus isn't real. I hate to be the guy to do it, but it's just not real.
There is police brutality. People of color have been targeted by police.
The point I'm trying to make is that you go to church on Sunday. But the real Christ is out there in your life every day, whether it be the guy you help on the street, how you live your life, and your countenance that makes people want to be you.
I can tell very early on, reading a script, within six or seven pages, whether I'm looking at real people, and whether I can see and hear real people.
I often get painted as the guy who's trying to tell other people what to make and what to like, and that's really not my goal, but I believe so passionately that games can be more than a lot of people think they can.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
If you believe that I'm a cop killer, you believe David Bowie is an astronaut.
Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
I want people to start getting involved in voting for the Senate, Congress and local elections. I just want to see us get involved more in the political process especially when you see things like police brutality going on and different people complaining about the sheriffs whether it's in Ferguson or Missouri.
As important as politics are to me, the life and the spirit of people's emotions are much more important. People live real lives where they love and grieve and feel pain and joy and that is a whole separate sphere. All that political stuff, I believe in it strongly, but not as strongly as I believe that at some point you or someone is going to need a song to sit with and comfort them in a hard time.
Sometimes the messages I put out are somewhat of that [street] nature, but the thing is, that's not the person, it's just like an actor or something. It's just like when Wesley Snipes is not [the character he played in] 'New Jack City,' but a lot of people get it twisted. They think, 'That's that guy. That's that dude. That's how he roll.' But man, that's definitely not how I roll. I believe in God. I'm a Christian... People always trying to stereotype people because of their job.
A police procedural novel can be even funnier if the police include Trolls and Dwarves and things like that. You start looking at the whole basis of the cop novel. You get the cop moving in a different way when you've actually set it in a fantasy city.
This site uses cookies to ensure you get the best experience. More info...
Got it!