A Quote by Ice T

I think when people say 'real hip-hop,' they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don't want the fluff.
I think that hip-hop is more of an individual effort. That means you're an artist from the streets, they expect you to rap about the streets, because that's what happens there.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
I don't want my kids to be on the streets period. I want my kids to be nerds. I want them to be book smart or playing sports - I don't want them to know nothing about the streets.
I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.
Let's think about Mexican streets: they're unsafe because of violence, so people stay at home. Does that make streets more or less safe? Less safe! So streets become more desolate and unsafe, so we stay home more - which makes streets even more desolate and unsafe, and we stay home even more.
I know what the streets want to hear, I know what the streets going through, the lingo, the fashion, everything. It ain't nothing; it's my real life.
Jazz came from the streets, hip-hop came from the streets. It's just a different language. It's all borne out of hard times, struggle, and the fight to have equality and things be better.
I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.
Hip-hop is so saturated with the same old same old that people always expect the guy to actually be the guy. They want you to be real and straight from the streets and all that.
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
I want to create a cat like the real cats I see crossing the streets, not like those you see in houses. They have nothing in common. The cat of the streets has bristling fur. It runs like a fiend, and if it looks at you, you think it is going to jump in your face.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
Local people do want to see more police on the streets.
My hope is that very young people in America who have experience with the streets, hip-hop, college, higher learning will fuse all that together. I just want to be the music that can relate to both sides, that stitch together their lives or represents their experiences.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.
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