A Quote by Ice T
Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
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I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
I've been trained in dancing and I used to be quite good, though I am a bit rusty right now. But I could probably brush up in a couple of months. The funny thing is that I actually took classes from Savion Glover, who worked in Happy Feet, when I was a kid. Isn't that wild? I was part of a selected group that was brought into New York from New Jersey (which is where I'm from) to study, every Saturday: ballet, jazz and tap. It was a musical comedy group.
New York has been the subject of thousands of books. Every immigrant group has had its saga as has every epoch and social class.
Smart brands never try to appeal to more than their audience group. Assuming you're audience is one of the segments that watches, it's your chance to galvanize this specific group, which is larger here than anywhere else, with a bold new idea that can re-magnetize the human/brand connection for a new year.
There's a teacher at the Renzo Gracie Academy in New York named John Danaher. He's leading this whole group of fighters named the Danaher Death Squad, and they're revolutionizing how that world works. I actually went and signed up for classes mostly because, man, if there's innovation like that happening in New York, I want to be around it.
New York is for everybody; it's for the poor, it's for the middle-class, it's for the wealthy. We can't punish any one group and chase them away.
I grew up partially in L.A. and partially in New York. In L.A., anything goes because it's really temperate. There aren't any fashion rules dictated by weather, whereas in New York, of course, there are. New York is seasonal, and also it's a fashion mecca, so people are a little more aware of how they put things together.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
Group Meditation is a castle that protects the new spiritual aspirants as well as the veteran meditators. Meditating together increases the degree of Self-realization of each member of the group by the law of invisible vibratory exchange of group magnetism.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".
It's been so overwhelming, the people in New York. That's why they call New York, New York - because they care about things and know real situations. My love for the fans, it's mouth-dropping.
John Cleese was with a group called Cambridge Circus, who had come to New York, and we became friends. Years later that produced a certain team effort.
I listen to some of you guys out there, hyper-reformed boys, you're concerned if you preach the gospel to the wrong person, the wrong person might get saved. So you don't want to preach it too good, 'well wait a minute, I don't think you should've been getting saved, I'm not sure you're in the group.' What do you mean in the group! If you breath you're in the group! If you have ears to hear you're in the group! And if you choose not to respond it's your own fault, not God's.
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