A Quote by Ida Rentoul Outhwaite

There is something magical in seeing what you can do, what texture and tone and colour you can produce merely with a pen point and a bottle of ink. — © Ida Rentoul Outhwaite
There is something magical in seeing what you can do, what texture and tone and colour you can produce merely with a pen point and a bottle of ink.
I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'
I have always had more dread of a pen, a bottle of ink, and a sheet of paper than of a sword or pistol.
The pen is very quick for getting stuff from your brain to the page. I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
I use Pilot's document ink, but their drawing ink is OK, too. It's just that I don't like the impression that clings to the pen tip.
I remember when the Bic pen was controversial. They came from France. They were cheap, and when one was out of ink, you threw it away; you didn't dip it into more ink.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
A book calls for pen, ink, and a writing desk; today the rule is that pen, ink, and a writing desk call for a book.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays.
It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.
How many people have different opinions in this world? Every different person has a different opinion of what that bottle really is or what colour it is. If I say that bottle is clear, there will be someone out there telling me that bottle is green or blue.
I practice wearapy: it is a psychology between colour and texture. Take your emotions - what is it that you want to accomplish for the rest of the day? Pick that feeling and channel it into a colour.
I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper.
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