A Quote by Ida Rentoul Outhwaite

I used to find great difficulty in drawing feet. — © Ida Rentoul Outhwaite
I used to find great difficulty in drawing feet.
But that the reasoning from these facts, the drawing from them correct conclusions, is a matter of great difficulty, may be inferred from the imperfect state in which the Science is now found after it has been so long and so intensely studied.
Wherever you find a great man, you will find a great mother or a great wife standing behind him -- or so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting and no figure drawing, still-life drawing, various things, they miss a great deal.
Well, I guess the sexual abuse by Mel Phillips in a sense, he had a fetish for feet. He used to play with my feet and other kids' feet, and that was his thing.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Yesterday, happiness came in suddenly, as it used to, and remained for a moment in the great, dark, silent drawing room.
People seem to sometimes have a difficulty drawing that line between the character and the person.
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader.
Why is it that we remember with difficulty and without difficulty forget? Learn with difficulty and without difficulty remain ignorant?
If you find great difficulty in trying to reckon with the future or even the present, I think it's intuitive to start that process by reckoning with the past.
Crawling at your feet,' said the Gnat (Alice drew her feet back in some alarm), `you may observe a Bread-and-Butterfly. Its wings are thin slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar.' And what does IT live on?' Weak tea with cream in it.' A new difficulty came into Alice's head. `Supposing it couldn't find any?' she suggested. Then it would die, of course.' But that must happen very often,' Alice remarked thoughtfully. It always happens,' said the Gnat.
I was drawing professionally by the time I was 12. I used to do very detailed sort of photorealistic pen-and-ink work, and I burned out on it around, like, high school. And cartooning really got me back into drawing.
I think we were born 6 feet tall and then started to grow from there. My dad's not particularly tall - only 5 feet, 11 inches - but his mother was almost 6 feet and straight as a ramrod: a German woman who used to scare the hell out of me.
Every great and deep difficulty bears in itself its own solution. It forces us to change our thinking in order to find it.
The difficulty is not so great to die for a friend, as to find a friend worth dying for.
If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.
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