A Quote by Idara Victor
I was risking a very promising and lucrative future in the business world that I was all set up to receive. I stepped out completely on faith. But when I engaged with an audience for the first time, I was right at home. I felt safe, and all of my senses worked together with a certain elegance. I understood flow in the most profound way. I knew then that I had to follow my heart.
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I was nominated as one of the most promising entrepreneurs by a business magazine a long time back. I worked in Telco way back in 1993 and then started my leather business.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
I knew no one in this business, and the only acting I'd ever done was in a first-grade play. I understood some of my talents - growing up playing piano, and my operatic voice led me to All-State in my first, and only, year of singing - but I didn't yet know all of my capacities. My parents felt helpless, as they knew nothing about this world and couldn't help me in any way except through pure love.
I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.
When I did get home this last time, we had all these plans to go out. And then we hardly stepped outside because the time together seemed too precious.
The first time I stepped on stage in the local theatre I knew what I needed to do - I knew I had found the right place to be.
Well, it was a million tiny little things that, when you added them all up, they meant we were supposed to be together... and I knew it. I knew it the very first time I touched her. It was like coming home... only to no home I'd ever known... I was just taking her hand to help her out of a car and I knew. It was like... magic. - Sleepless in Seattle
As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
As for me: I loyally remained right where I was, remembering the very first I had ever seen the boy and then just now, the very last time-and all the times in between. The deep aching grief I knew I would feel would come soon enough, but at that moment mostly what I felt was peace, secure in the knowledge that by living my life the way I had, everything had come down to this moment. I had fulfilled my purpose.
I felt about life and the way I felt about my children was so deep and profound. It was the first time I'd felt anything like that. I knew as an artist that it was going to make a huge difference in everything that I did.
Seeing my dad wake up super early when the sun wasn't even out and then coming home when the sun was set, he worked his tail off to provide for our family and did a great job. He's the most selfless man I know, and I think if I'm half the man he is, I'll be all right in this world.
Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
Whatever I have up till now accepted as most true and assured I have gotten either from the senses or through the senses. But from time to time I have found that the senses deceive, and it is prudent never to trust completely those who have deceived us even once.
I had ambitions to set out and find, like an odyssey or going home somewhere, set out to find this home that I'd left a while back and couldn't remember exactly where it was, but I was on my way there. And encountering what I encountered on the way was how I envisioned it all. I didn't really have any ambition at all. I was born very far from where I'm supposed to be, and so, I'm on my way home, you know?
Plays have a celebratory nature that no other form has. Theater always meant celebration, a birthday, a reward for good grades. I felt at home in a theater. I loved being part of an audience. All the rules - the audience has to see the play on a certain date at a certain time in a certain place in a certain seat.
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