A Quote by Idina Menzel

I just enjoy being onstage and relating to the audience. — © Idina Menzel
I just enjoy being onstage and relating to the audience.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
Being is transcended by a concern for being. Our perplexity will not be solved by relating human existence to a timeless, subpersonal abstraction which we call essence. We can do justice to human being only by relating it to the transcendent care for being.
I love being onstage, whether it's dancing or acting - there's just something about being onstage.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
I enjoy just being cocooned in production and it's completely different to your other life that you have. I enjoy that. I enjoy being on the set and hanging out and talking to whoever we're working with and just being in the moment.
I always make sure there's something for the audience to connect to, in terms of my movements relating to the sounds being heard.
Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
A lot of people get a high from being onstage. I found ways to enjoy it. But I get it from being in the studio.
Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.
Being onstage and communicating with an audience was part of my life since I was very little, but I was never pushed into singing.
I've done stand-up since I was 18 years old, and I absolutely love it, but I used to go onstage, and the audience was my peers. Now I go onstage, and I could be their mother.
Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
This site uses cookies to ensure you get the best experience. More info...
Got it!