A Quote by Idina Menzel

I think that if you're doing a new musical, you want to have the opportunity to experiment and try things without the whole city of critics looking over your shoulder. — © Idina Menzel
I think that if you're doing a new musical, you want to have the opportunity to experiment and try things without the whole city of critics looking over your shoulder.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
Writing feels safe, you know, it's a hard job, but at least you're in your office or wherever you are and there's no one standing over your shoulder staring at what you're writing. And when you're directing, everybody's looking over your shoulder.
There always seems to be someone looking over your shoulder - just waiting for an opportunity to lecture on The Darker Side of Chocolate
The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.
Critics try to pin so many different inaccuracies on me and my music; they look at the complicated things and try to simplify them. They think they can nail your whole life down just by knowing the bare bones of your history in partaking in 10 minutes of conversation.
Now, I have the opportunity to catch more balls and I relish the opportunity, ... Its something Ive always wanted. I think I needed a change. It was like Groundhog Day, doing the same thing over and over again. What better place could I be than to come to New York and try to put everybody to the side and say, This is who I am.
We usually think of improving our life by adding stuff - like more things, more success, more friends. I think the starting place should be removing stuff - try a month without Instagram; try a week without looking at fashion pictures. See how that affects your life, your friendships, and your ability to focus on other things.
For me, its better to live without looking over your shoulder, worrying about who is controlling your phone, maybe poisoning your food.
For me, it's better to live without looking over your shoulder, worrying about who is controlling your phone, maybe poisoning your food.
I want to do roles that are fun and challenging and I want to try different things. I don't want to keep doing Monster's Ball over and over and over again. I want to keep doing my career the way that I was doing it before I won the Oscar.
I'm an escapist. I'm not a planner; I've never made a decision about anything in my life. The good thing about Africa is that you can escape forever. You can do what you want without someone looking over your shoulder.
There are so many bands always doing the same album over and over; I want to evolve, try new things.
I hate it when bands keep making the same record over and over, so we're pushing ourselves to try new things and experiment in our writing approach.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.
It feels very, very good to make a film freely, to work without having to wait years for script approval, without looking over your shoulder.
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