A Quote by Idina Menzel

I will never leave the theater. My heart is there and I love being on stage eight times a week. — © Idina Menzel
I will never leave the theater. My heart is there and I love being on stage eight times a week.
I will never leave the theater. My heart is there, and I love being on stage 8 times a week.
The discipline of live theater - doing the same perfect thing night after night, eight times a week - never ceases to amaze me
I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
I'm glad I got to do 'The Last Five Years' and 'Into the Woods,' which are both shows that I just don't think I could have the stamina to do them eight times a week. I just have so much respect for the women who do these vocal roles eight times a week. They're so challenging.
Many movie stars or American Idol contestants sort of fall into theater... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays.
I'm a very shy person, and I never tried to do theater. I've been asked many, many times by the most incredible authors in America to do theater. And I always said no, not knowing what it is to be on the stage and to do theater.
There is a difference when you work with actors who have worked on the stage. When we're out there in front of an audience eight times a week, you can't do it on your own.
I deal with the depraved, the sick, the pathetic, the disturbing and the profoundly depressed. I will try it all on. I will try on what I am and what I never want to be. And everything I wanted to be, but never can be. I can be a supermodel, or your worst nightmare. Off-stage, I just get to leave it, and nobody thinks I'm like that. This is what prevents me from being a psychopath and a sociopath, my time on stage.
People sometimes say, "Isn't it boring, isn't it always the same? It's the same lines." I go, "Well, do you play tennis? Because that's the best analogy I can give." If you go out eight times and play tennis eight times this week, yeah it's the same rules but it's a different game every time you're out on that court.And that's the best analogy I can come up with the theater.
My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
When you do something eight times a week, you fall into those little places where sometimes things can get a bit stagnant. That's why I always welcome a new face on the stage.
I love musical theatre because I love doing a live performance eight times a week.
I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
I want to do work that means something to me so that when I go to work at the theater eight times a week, I want to be there.
Most theater methodology is predicated on the idea of repeated actions. That's what you work toward. Having the actor repeat the same moment eight times a week. In a film, it's getting that one moment right.
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