A Quote by Idina Menzel

I'm trying to focus on original material. That is what I've had my luck with. — © Idina Menzel
I'm trying to focus on original material. That is what I've had my luck with.
It's very hard for a studio to take a chance on a piece of original material. They used to have the fall-back of DVD sales. They had ways in which they could safely make an investment in a piece of original material, and those opportunities aren't necessarily there anymore.
When I started 70 odd years ago I was told that to be a success you've got to have talent, personality and luck. I've had 99.9 percent luck and the other miniscule percentage would be having had the luck to have a little bit of talent, being able to stand upright and that's it. It's all luck.
Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
The goal of the work is always for it to come across as original material, as transformative material.
Earth is the material with the most potential because it is the original source material.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
With Free, we had phased out all of the blues material and wanted to phase in all original material, and the only song that stayed from our blues past was 'The Hunter' by Albert King. People just loved that. And I said, 'We have to write a song that will top that - otherwise, what are we doing here?' That was the birth of 'All Right Now.'
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
Normally, I focus on my job and focus on trying to help my team and trying to improve every training session and try to be as a good as I can.
Luck in all its moods had to be loved and not feared Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact he would be brought to his knees by love or by luck.
Mission + tools. That’s really what it takes to have focus...you fail at focus because whatever you are trying to focus on isn’t important enough to you.
In a regular class I don't focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
The advanced stats are great to look at for my long-term goals and what I'm trying to accomplish. It shows me there is an inherent failure in pitching. The luck involved, the factors you can't control. You just have to let go of those and focus on the next batter, the next game.
I'll always work with Stones Throw, but I'm trying to start my own label to release my old material and sign new artists. I want to do everything from rock, to jazz, to electronic, to noise records and movie sound tracks. Both sampled and original music.
I promise you, a lot of it is luck. But you make your own luck by working really hard and trying lots and lots of things.
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