A Quote by Idris Elba

Are there differences between black actors’ opportunities and white actors’ opportunities? Yes, there are. It’s been said. — © Idris Elba
Are there differences between black actors’ opportunities and white actors’ opportunities? Yes, there are. It’s been said.
Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
If the white man can come here uneducated and as an immigrant, and within 10 or 15 years set up an industry that provides job opportunities and educational opportunities for black people, then if the black man, the black leadership, who has access to all of this money and has all of these degrees today, can't use his talent and his know-how to set up business opportunities, job opportunities, housing opportunities for the black people the same as the white leaders have done for white people, then these black leaders need to get off the boat.
From my experience, I would say no: actors of East Asian descent don't get the opportunities white actors do. I know that's inherently a problem in a country that produces a lot of period drama, but I have to fight so hard to get parts that don't have something to do with China.
There has to be more opportunities for Asian or black actors.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
The only question we should ask is, 'Are they good?' I've met great actors, black and white, and I've met bad actors, black and white.
Until recently, Hollywood offered only a handful of roles to actors of color. The majority of my opportunities have fallen into two categories: Scary Black and Funny Black.
I feel so sorry for younger actors who aren't able to have the opportunities that I had, starting out in repertory theatre. It's really tough on young actors now.
It's just unfair that talent of color aren't given the same opportunities as white and male actors, directors, producers, writers, et cetera.
The industry looks for white actors and actresses, but it's not the same for black actors. We have to really put the work in.
Obviously with the onset of cable and satellite, there are more opportunities for programming and original programming, so it creates more opportunities for actors and producers and directors and everything.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.
You can say what you want to about a rapper in a movie, but look at what Ice Cube has done. Ice Cube has created more opportunities for other actors to get jobs in this business than some actors have.
Hollywood is designed to check the box office on Monday morning and see: "How'd we do? How much?" It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
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