A Quote by Iggy Pop

If I started thinking too much about how influential I've been, then I'd be more of a turd than I already am. — © Iggy Pop
If I started thinking too much about how influential I've been, then I'd be more of a turd than I already am.
My approach to games is much better and I am going into games with the right preparation and I am more relaxed, rather than thinking about things too much.
I placed too much importance on comparing how much I had to others early on. Then I started realizing time was a far more valuable asset. When I started using money to create more time, I appreciated both more.
I am thinking about something much more important than bombs. I am thinking about computers.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
It feels like everything's been decided in advance that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense of who I am. It's like my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch.
I don't know... it's just too much fun to wonder about what life would be without gravity. I just started thinking about outer space more as an adult than I probably ever did as a kid. That was also inspiring, the concept of being stuck to the earth.
When I step on that basketball court, I'm thinking about basketball, I'm thinking about winning - but there's so much that goes into thought about how I'm going to open this game up to others. It's so much more than just basketball.
It certainly woke me up to how vulnerable we all are. I think I was much more cavalier about it before I started working on the movie [Edward Snowden], and then the more I read the documents themselves and saw just how sweeping and indiscriminate the intrusions into our privacy have been, it made me more aware.
I can explain how a person with autism thinks. I am very, very interested in how people think. It's been a gradual process of learning more and more about how my thinking process is different. You know it's bottom up - you take specific examples to make concepts and then I put them in categories.
I've been too productive for too long, and despite what anybody wants to strip away from me, I am influential. I am.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
Perhaps generations of students of human evolution, including myself, have been flailing about in the dark; that our data base is too sparse, too slippery, for it to be able to mold our theories. Rather the theories are more statements about us and ideology than about the past. Paleontology reveals more about how humans view themselves than it does about how humans came about, but that is heresy.
You can't really think about more than one movie at a time. You're thinking about it consciously, and the subconscious is working too, and if you cram too much into your head, you don't get any ideas in the shower.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
Just recently, I thought about how maybe I should have kept using the synthesisers more after 'Merry Christmas, Mr Lawrence'; then, I would have been a more unique soundtrack composer than I am now. It could have been my signature. But then, probably, Bertolucci would not have offered me to compose for his films.
In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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