A Quote by Iggy Pop

How am I going to listen to that horrible noise I make without a gram of coke and a couple of double Jack Daniels? — © Iggy Pop
How am I going to listen to that horrible noise I make without a gram of coke and a couple of double Jack Daniels?
The blues are just a heightened sense of awareness of life's ups and downs, and things that a guy sees after a couple hits of Jack Daniels.
There are so many flavors of Coke now - Coke with lemon, Coke with vanilla, Coke with lime, Cherry Coke, and they've just brought out another new flavor - Coke with Pepsi.
Foreign languages, I think they are important but I don't think it should be required because-actually I think they should be teaching you English and then teaching you how to understand double talk-a politician's double talk-not teaching you how to understand French and Spanish and German, when am I going to Germany? I can't even afford to pay my rent in America, how am I going to Germany?
The question I asked when I woke up was not how am I going to live without legs - but how am I going to do all the things I want to do without legs? There was no doubt that I was going to do them, I was just curious to find out how - but I knew I was going to find a way.
Jack Daniels makes us all puke.
The noise around us determines how we speak. And how we listen. Just as a conversation suffers in a war zone, art suffers in a culture built on noise. So does our enjoyment of it.
All he cares about is going out there with his Jack Daniels bottle. Nothing has changed. That's kind of sad. If David was doing better than he used to be, then that would be different. But it was a joke and he made it that way.
I like to see the glass as half full, hopefully of jack daniels.
It taught him how to listen -- how to listen with a quiet heart and a waiting soul, open soul, without passion, without desire, without judgment, without opinion.
Jake 'The Snake's' two best friends are Jim Beam & Jack Daniels.
I'm a playwright by trade, and in theater, writers have complete control over everything. Nobody can change a word without your permission. I've had a couple screenwriting experiences that weren't terrible, but they were typical, where executives came in and gave you sometimes good notes and sometimes horrible notes - but they wanted to change the movie that everybody had agreed to make. After a couple of times, it's like, "Why are we doing this?" The story is not going to turn out very good when 13 people are writing it together.
When my son, Jack, was four, I had to make a trip to Los Angeles. I asked him if he was going to miss me. 'Not so much,' Jack told me. 'You're not going to miss me?' I said. Jack shook his head, and he said, 'Love means you can never be apart.
Basically, I'm for anything that gets you through the night - be it prayer, tranquilizers or a bottle of Jack Daniels.
I've worked with a couple of people in my career that have stopped me dead in my tracks because they make it look so effortless and so extraordinary. One of them is Ben Daniels and the other is Chris Larkin.
It seems entirely possible to me that horrible things can be going on without us becoming horrible people.
I've done kissing scenes with people who have been loaded. I'd think, 'Do you actually have to drink that Jack Daniels to kiss me?'
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