A Quote by Iggy Pop

The key to The Doors is the culture behind the myth. — © Iggy Pop
The key to The Doors is the culture behind the myth.
You don't have Republicans and Democrats behind closed doors. We have people passionate about national security behind closed doors. And I think that's the way that it should be.
The myth-making machine is the mimetic contagion that disappears behind the myth it generates.
I think behind closed doors people behave differently no matter what period we're looking at, because people have to stand up straight in public but can slouch behind closed doors - can you imagine wearing those corsets?
Suppose you're on a game show, and you're given the choice of three doors. Behind one door is a car, the others, goats. You pick a door, say #1, and the host, who knows what's behind the doors, opens another door, say #3, which has a goat. He says to you: 'Do you want to pick door #2?' Is it to your advantage to switch your choice of doors?
The Word is the master key for the whole world, inasmuch as through its potency the doors of the hearts of men, which in reality are the doors of heaven, are unlocked.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
Without myth, however, every culture loses its healthy creative natural power: it is only a horizon encompassed with myth that rounds off to unity a social movement.
the habit of shutting doors behind us is invaluable to happiness; we must learn to shut life's doors to cut out the futile wind of past mistakes.
Democracies die behind closed doors. . . . When government begins closing doors, it selectively controls information rightfully belonging to the people. Selective information is misinformation.
I think people hide behind anonymity and they feel like they can say whatever they want behind closed doors.
I'm entranced by the idea of reading the culture back to itself, because I'm conscious that we as people and also as a culture are myth-making machines. So I'm interested in a resistance to that: What we can bend, what we can break.
Asking the proper question is the central action of transformation- in fairy tales, in analysis, and in individuation. The key question causes germination of consciousness. The properly shaped question always emanates from an essential curiosity about what stands behind. Questions are the keys that cause the secret doors of the psyche to swing open.
Behind closed doors they had what were legendary battles I hear but when the doors opened there was absolute unity. Not a crack could be found. No separation whatsoever. They were locked together for the good of the community.
The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences.
In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
Myth was regarded as primary; it was concerned with what was thought to be timeless and constant in our existence. Myth looked back to the origins of life, to the foundations of culture, and to the deepest levels of the human mind. Myth was not concerned with practical matters, but with meaning. Unless we find some significance in our lives, we mortal men and women fall very easily into despair. The mythos of a society provided people with a context that made sense of their day-to-day lives; it directed their attention to the eternal and the universal.
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