A Quote by Iggy Pop
The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
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Personally I was just sick of the mimicry of American culture that was going on because it wasn't natural for us. We had grown up listening to reggae music in our communities. People were enjoying what we were doing with out music - we didn't have to work to sell it to them.
This one commercial said, "Forget everything you know about slipcovers." So I did, and it was a load off of my mind. Then the commercial tried to sell slipcovers, but I didn't know what they were!
A lot of people that embark on spiritual endeavors tended to, especially in the '60s and '70s, they tended to give up what they had before and cut themselves off from their lives, previous life as it were. But, I don't think that one should do that.
After we finished touring 'Ignore The Ignorant' we had this perfect idea that we were going to take a couple of years off, that was the plan. Because we thought we were definitely going to take time off, I was going to go back to college, that was what I was going to do. Because the whole idea of it was that I have spent ten years in this band and not even realised that that amount of time has passed.
Anybody who comes along and wants to sell a wrestling show, guess who you are not gonna sell it to? You are not going to sell it to FOX and any of its affiliates, and,oh, by the way, you are not going to sell it to NBC Universal or any of its affiliates.
Perhaps the more "operatic" video pieces were a reaction to my knit sculpture, which kept me isolated for so long in the studio that the videos were a way for me to be social and flamboyant and to change my mind all the time. Because when I did the knit pieces, once I committed myself to a piece, I was locked into an idea, and the only thing that could really move was my mind. The early video pieces were a way for me to express what was going on in my mind.
The Macorinos and me - there's a big space between our generations. The people I was used to work with, we will do everything faster. And the Macorinos were more, like, calm. They were patient with music, and they were paying a lot of attention to the details.
When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.
The learning we received only tended to obscure our vision. From the day we went to school we learned nothing; on the contrary, we were made obtuse, we were wrapped in a fog of words and abstractions.
Older men are wiser and that is much cooler to me. I've never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
When I first went on [Facebook], I found there were five or six Creed Bratton sites. It was all over the place. I had to compete with other people saying they were me. It was nuts, so this is nice that people know that if they're gonna send something to me, I'm gonna be with my weird little mind looking at what they have to say. And what they're seeing is actually me.
Older men are wiser and that is much cooler to me. Ive never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
Out of the people that ever were, almost all of them are dead. There are way more dead people, and you're all gonna die and then you're gonna be dead for way longer than you're alive. Like that's mostly what you're ever gonna be. You're just dead people that didn't die yet.
We've had one of these before, when the dot-com bubble burst. What I told our company was that we were just going to invest our way through the downturn, that we weren't going to lay off people, that we'd taken a tremendous amount of effort to get them into Apple in the first place; the last thing we were going to do is lay them off.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
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