A Quote by Iggy Pop
Miami is nothing like me, and that's why I need to be here - it's the opposite. I'm practical, where this place is moody, I'm stolid in my interior, where this place has a certain flair, and I'm materialistic in a sense that this place is fundamentally spiritual - there's a quicksilver quality about this place.
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Miami is nothing like me, and thats why I need to be here - its the opposite. Im practical, where this place is moody, Im stolid in my interior, where this place has a certain flair, and Im materialistic in a sense that this place is fundamentally spiritual - theres a quicksilver quality about this place.
I found that quiet place in my home that is my place of refuge. I don't care if you got kids or if you are married. You got to find that one place that is your everybody-off-limit place: unless this place is on fire, or you need to go to the emergency room, don't disturb me. You can go to this place and cleanse, meditate, let God speak to you.
It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
When time and space and change converge, we find place. We arrive in Place when we resolve things. Place is peace of mind and understanding. Place is knowledge of self. Place is resolution.
I don't need to be any place else, because the music takes me to the only place I want to be right now. To the place where I am and have always been wholly me, the only church I've ever belonged to, the only place I've ever prayed.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
Free people have a serious problem with place, being in a place, using up a place, deciding which new place to rotate to. Americans ricochet around the United States like billiard balls.
The fear of death in the one place was not as strong as another kind of fear, the fear of a world gone crazy, a place where anything could happen, where nothing could be trusted, where nothing was certain. A terrible place.
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
If you look at any religious description of hell, it is the same as human society, the way we dream. Hell is a place of suffering, a place of fear, a place of war and violence, a place of judgment and no justice, a place of punishment that never ends.
When you write a song about a place, you are writing a song about a place that might be in a hundred years, or a place that has been, or that was - in your imagination. I think that also embodies the American spirit. You are looking for what you can call "a place."
The place of true healing is a fierce place. It's a giant place. it's a place of monstrous beauty and endless dark and glimmering light.
All great spirituality teaches about letting go of what you don’t need and who you are not. Then, when you can get little enough and naked enough and poor enough, you’ll find that the little place where you really are is ironically more than enough and is all that you need. At that place, you will have nothing to prove to anybody and nothing to protect. That place is called freedom. It’s the freedom of the children of God. Such people can connect with everybody. They don’t feel the need to eliminate anybody . . .
I've never really understood attachment to a place for reasons of birth. That my mother happened to give birth to me in a certain place doesn't, to my mind, justify any thankfulness towards that place. It could have been anywhere.
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