A Quote by Igor Babailov

Insecurity prevents young artists from 'flying' and older artists from being 'down to earth.' Young artists should work on their confidence and the older ones on their humility.
So it's a majorly important thing for young artists, as well as older artists like myself, to know that not only do we have the right to say no, but if we don't say no, we're gonna die.
I do see a lot of young artists who write records or sacrifice records, because there are a lot of older artists who are preoccupied; they don't have as much time as they used to to be in the studio.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I would like to see more airplay for all artists, no matter what age. I think there's a lot of money being spent toward the young guys, but a lot of the older guys are the ones who blazed the trail for those young guys.
I guess people don't think that young girls or young artists have opinions, but I'm so glad that there's artists like Lorde and Raury and Kehlani because they're showing other people that young people can have an opinion and a voice and do really well with it. I'm glad I can be one of those people.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
I'm proud that I've been able to work with other artists to make sure that the smallest voices - the voices of our children - have a chance to be heard. Artists can reach, inspire, and motivate young people and leaders in a powerful way.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
Artists should work together like the artists of the Middle Ages.
I do read a lot of autobiographies and biographies but from people who are not in my field - older women, older artists, Miles Davis.
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