A Quote by Igor Babailov

Artists with the lack of proper education and experience of working from life will copy whatever is visible on the photograph, without knowing what's underneath. As a result, instead of creating the in-depth and full of character portrait, they draw a mask with no soul.
Fear is the result of a lack of confidence. A lack of confidence is the result of not knowing what you can do. A lack of knowing what you can do is caused by a lack of experience. A lack of experience is caused by a lack of doing something new.
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
Life will not, it will never, make sense to your mind. The secret is to see life from the soul's perspective; to add to the mind's experience the soul's wisdom, awareness, and total knowing.
Memory, that library of the soul from which I will draw knowledge and experience for the rest of my life.
In our time, we have become too interested in the artist and his or her character and experience as a way of understanding art. In my view, you should be able to read a book or see a film without knowing a single thing about conditions or circumstances or character of the artist, and experience the work to the full without such information. Sometimes I feel - speaking for myself - that people know much too much about me, and I wish people knew less and could just read these books and respond to them purely as words on a page.
He that would be a master must draw from the life as well as copy from originals, and join theory and experience together.
Before, the myth of photography doesn't lie was used in order to cover up tricks. If I [make a] portrait [of] you, accommodate you, illuminate you, put make up on you or use a filter, am I not manipulating reality? The only difference is that now I can do it from the computer in the postclick instead of the preclick. If I decide to photograph something instead of something else, I also manipulate reality. Of course a photograph can lie or commit abuse, but it always could.
Grey. It makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph. It has the capacity that no other colour has, to make 'nothing' visible.
The moment seemed right to me for a full and, if possible, authoritative portrait of the life and character of the Prince of Wales.
What is education? Properly speaking, there is no such thing as education. Education is simply the soul of a society as it passes from one generation to another. Whatever the soul is like, it will have to be passed on somehow, consciously or unconsciously, and that transition may be called education. ... What we need is to have a culture before we hand it down. In other words, it is a truth, however sad and strange, that we cannot give what we have not got, and cannot teach to other people what we do not know ourselves.
When a person looks at a photograph you've taken, they will always think of themselves, their own life experience. They will relate your photograph to their memories. That interplay is where a picture comes alive and grows into something. They function like invitations.
All artists draw from their lives, except they mask it and camouflage it... which is the smarter way to do it.
The conclusion you first draw about someone is often informed merely by what you're bringing to it, and it will lead you to underestimating the full depth of the people you have so judged.
You can't have force structure without proper training, without proper equipment, without proper leadership, without proper funding to conduct exercises and perform maintenance.
Many excellent artists working today unfortunately lack the indispensable gifts necessary for demagoguery and self-promotion, while the bad ones are full of passionate intensity.
You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling.
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