A Quote by Igor Stravinsky

An audience is an abstraction; it has no taste. It must depend on the only person who has (pardon, should have), the conductor.

Igor Stravinsky

Quote Topics

Abstraction Audience Conductor Depend Must Only Pardon Person Should Should Have Taste

Quote Author

Igor Stravinsky
Russian - Composer
June 17, 1882 - April 6, 1971

Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.

David Lang

I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.

Anna Netrebko

He, who will not pardon others, must not himself expect pardon.

Seneca the Younger

We must not see any person as an abstraction. Instead, we must see in every person a universe with its own secrets, with its own treasures, with its own sources of anguish, and with some measure of triumph.

Elie Wiesel

A man gets on a train with his little boy, and gives the conductor only one ticket. 'How old's your kid?' the conductor says, and the father says, 'He's four years old.' 'He looks at least twelve to me,' says the conductor. And the father says, 'Can I help it if he worries?

Robert Benchley

My wish and hope, every year, is that people's life chances - their chances of having a happy, prosperous, healthy life for themselves and their family and friends - should not depend on accident of birth. It shouldn't depend on where you're born. It should depend on who you are and what you do. But it shouldn't depend on the chance and the luck of being born in the U.S. or in a poor village in Sub-Saharan Africa or India or wherever it may be.

Michael Elliott

Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.

Marge Piercy

Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.

Leonard Bernstein

Create, and be true to yourself, and depend only on your own good taste.

Duke Ellington

Ours is the only religion that does not depend on a person or persons; it is based upon principles. At the same time there is room for millions of persons. There is ample ground for introducing persons, but each one of them must be an illustration of the principles. We must not forget that. These principles of our religion are all safe, and it should be the life-work of everyone of us to keep then safe, and to keep them free from the accumulating dirt and dust of ages.

Swami Vivekananda

The taste of a multiplex audience in Amrawati is very different from the taste a multiplex audience in Nariman Point, Mumbai.

Boney Kapoor

What appeals to me about an American music directorship is the involvement of the conductor with the orchestra and the community. I think that's a fantastic thing. In Europe, being principal conductor means merely that you're the person who does most of the concerts. For me, that simply isn't enough.

Jeffrey Tate

The conductor is a peculiar person. He turns his back on his friends in the audience, shakes a stick at his players in the orchestra, and then wonders why nobody loves him.

Victor Borge

This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.

C. S. Lewis

taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.