A Quote by Igor Stravinsky
I never understood the need for a "live" audience. My music, because of its extreme quietude, would be happiest with a dead one.
Related Quotes
Those who like tranquility and dislike clamor tend to avoid people to seek quietude. They do not know that when one wishes there were no one around, that is egotism; and when the mind is attached to quietude, that is the root of disturbance. How can they reach the state where others and oneself are seen as one, where disturbance and quietude are both forgotten.
I understood that the man I was calling for could never ever come back. Because I understood that the man that I was calling for was dead.
I never go see live comedy shows because I just sit in the audience thinking, "Here's what I would say. Here's what I would do if I got up there." It drives me crazy.
Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music.
In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
Life seems terrible and disappointing, so you need to find something you need to make you stick around. Music that makes me happiest is the saddest music, with the most emotional feel.
We need more extreme movies in Sweden.Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.
We need more extreme movies in Sweden. Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.
True love, it's like an illness. I never understood it before. In books and plays. Poems. I never understood what drove otherwise intelligent, right-thinking people to do such extravagant, irrational things. Now I do. It's an illness. You can catch it when you least expect. There's no known cure. And sometimes, in its most extreme, it's fatal.
The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
I fell in love with electronics, which for me was the terra incognita, because I had never heard such sounds. If you'd asked me 50 years ago, I would have said the future of music is only electronic, but I would have been wrong. I learnt how to produce everything I needed with live instrumentalists, so I don't need electronics.
I never understood why you would ever feel the need to shoot the fish in the barrel. I mean, they're in a barrel, you've already caught them. The hard work's done, they can't escape. So if you want them dead, just drain the water out. Why bring guns into it?
Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
The Last American Man by Elizabeth Gilbert... I don't live inside buildings because buildings are dead places where nothing grows, where water doesn't flow, and where life stops. I don't want to live in a dead place. People say that I don't live in a real world, but it's modern Americans who live in a fake world, because they have stepped outside the natural circle of life.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Johann Johannsson Quotes
Icelander
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer