A Quote by Igor Stravinsky

It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art. — © Igor Stravinsky
It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
An entirely honest man, in the severe sense of the word, exists no more than an entirely dishonest knave: the best and the worst are only approximations of those qualities. Who are those that never contradict themselves? yet honesty never contradicts itself: Who are those that always contradict themselves? yet knavery is mere self-contradiction. Thus the knowledge of man determines not the things themselves, but their proportions, the quan?tum of congruities and incongruities.
No doubt, there are those who believe that judges - and particularly dissenting judges - write to hear themselves say, as it were, 'I, I, I.' And no doubt, there are also those who believe that judges are, like Joan Didion, primarily engaged in the writing of fiction. I cannot agree with either of those propositions.
I decided honestly that comic art is an art form in itself. It reflects the life and times more accurately and actually is more artistic than magazine illustration - since it is entirely creative. An illustrator works with camera and models; a comic artist begins with a white sheet of paper and dreams up his own business - he is playwright, director, editor and artist at once.
That’s the secret to performance: conviction. The right note played tentatively still misses its mark, but play boldly and no one will question you. If one believes there is truth in art – and I do – then it’s troubling how similar the skill of performing is to lying. Maybe lying is itself a kind of art. I think about that more than I should.
No place affords a more striking conviction of the vanity of human hopes than a public library; for who can see the wall crowded on every side by mighty volumes, the works of laborious meditations and accurate inquiry, now scarcely known but by the catalogue.
The works of previous artists have come from their own experiences or insights but haven't given the experience itself. They had set themselves up as a sort of interpreter to the layman... Our interest is in a form where you realize that the media are just perception.
Works of art imitate and provoke other works of art, the process is the source of art itself.
In England the judges should have independence to protect the people against the crown. Here the judges should not be independent of the people, but be appointed for not more than seven years. The people would always re-elect the good judges.
One way to cope with the provocations of novel art is to rest firm and maintain solid standards... set by the critic's long-practiced taste and by his conviction that only those innovations will be significant which promote the established direction of advanced art.
I don’t work as a conceptualist. Let’s say the conceptual art model is that you have a project idea, or a set of concerns, and then you illustrate those concerns in whatever manner you see appropriate. For me, it has always been that the world suggests far more subtle and interesting variations than I could ever come up with.
As for techniques and processes, as seen in the works themselves, neither public nor artists will find anything about them here. Those things are learned in the studio and the public is interested only in the results.
There is more both of beauty and of raison d'etre in the works of nature- than in those of art.
A jury is more apt to be unbiased and independent than a court, but they very seldom stand up against strong public clamor. Judges naturally believe the defendant is guilty.
I've always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That's what I've always done.
When there is a danceoff, it's scary thinking that someone's destiny or fate is in your hands. I actually always prefer it when the public decide on something rather than four individuals. 11 million people are a lot more powerful than four judges.
...throughout the history of art it has been art itself - in all its forms - that has inspired art...today's photographs are so geared to life that one can learn more from them than from life itself.
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