A Quote by iJustine
Nothing can really prepare you for live TV because you never know what's going to happen. I think, for me, what really helps is I know what I'm looking for when I'm shooting things, so it definitely helps to have that eye and know what camera you're looking at.
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For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
Being in worship and declaring you know, the truth of scripture through song and, you know, because music gathers all of who you are, it helps you in your auditory senses, it helps you scientifically. It says it helps you at a molecular level and, so doing all these things and then declaring the living word of God, I mean, there's nothing quite like it when you're hanging on for your life.
I do know that I can take a punch. I've been punched in the face three times. That's, I think, a really important thing to know about yourself. It helps you in life. It helps you be brave when you know you can take a punch. I'm a lover, not a fighter. But, God bless me, I can take a punch.
I find that getting something on the screen as soon as possible really helps focus the problem for me. It helps me decide what to work on next. Because if you're just looking at that big to-do list it's like, eh, I don't know which one I should do—does it matter which one I do? But if there's something you can actually look at, even if it's just the debug output of your mailbox parser, it's like, OK, there!
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
I know I'm guilty of and I think a lot of people are guilty of sort of getting starry-eyed with love and sort of looking over the bad things and keep going and you don't really prepare for how much work marriage really is.
Since a month, two months ago, you know, I've started hitting the ball well. I'm playing some really good tennis. That really helps. I sort of have to motivate myself to get pumped up. It really helps my game a lot.
When I watch the show [Westworld], it leaves me looking at the world around me in a new way. It really stays with you. And it's one of those things that you have to figure out. You're going to get little clues along the way, and every time you think you know what's up, we're going to flip it around. It's going to take you for a really awesome, crazy ride, but it's a really, really revolutionary character for women. There's a lot of really fun stuff to look forward to.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
And the National Rifle Association says that, "Guns don't kill people, people do," but I think the gun helps, you know? I think it helps. I just think just standing there going, "Bang!"
"That's not going to kill too many people, is it? You'd have to be really dodgy on the heart to have that.
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
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