A Quote by Ike Barinholtz
Alan Rickman's Hans Gruber is the greatest bad guy in a movie ever.
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Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort. I wanted somebody to leave behind a strong impact and be a threat for Grenouille. When Alan takes to the screen, we immediately know there's an intelligent, instinctive and powerful force, so if he's pursuing our main guy then our main guy is in trouble.
When you had the fangs in, you wanted to be a little bit careful that you didn't actually pierce the jugular, kind of like my experience shaving Alan Rickman, which by the way neither of us want to do again, especially Alan.
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
I'm often compared to Alan Rickman. I wish.
My friendship with the great actor and director Alan Rickman did not have a particularly auspicious start.
How I shall miss Alan Rickman, his beautiful command of English, and a voice he played like a musical instrument.
I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.
Alan Rickman, who was mentored me a lot. He was very keen to offer his opinions on stuff. Not in a pretentious way. Not in a patronizing way.
The division needs a guy like me. It's a bunch of good guys, and I'm the only bad guy in the division. There always has to be a bad guy in every movie.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
'The Golden Compass' became a bad experience because the studio didn't have faith in the strength of the ideas of the novel, which is ironic because it's one of the greatest fantasy novels ever written, if not the greatest, and they took the religion out of it and tried to turn it into a popcorn movie.
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
I did 'Quigley Down Under,' which is quite deliberately placed in Australia, which is a Tom Selleck, Alan Rickman, Laura San Giacomo film from '88, I want to say.
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