A Quote by Ike Turner

I can put a hip-hop beat to reggae. That is, I can have real reggae in the drums and in the rhythm, and on top of it I can put The Rolling Stones' feeling, anyone's feeling on top. Nobody has ever done this before, man.
My mom used to always play hip-hop around the crib, but moreso than that, she played reggae, and I grew up on reggae music more than I grew up on hip-hop.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
Reggae was always a passion of mine. I used to say in interviews that I would love to do a reggae album. But it consumed my life being a hip-hop artist and being Heavy D, which I'm happy and proud of.
You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.
When I'm creating a song, I'm thinking of a hip-hop beat playing on a live drum set - kinda like the Roots would do. I will put New Orleans music on top of that with some other rhythms.
I'm one of those artists that nobody ever sees coming. We started with Virgin in 1993. If you look at the climate of that time in reggae and you were to pick the top five people that'd have a shot at having mainstream success, I was nowhere in that equation at all.
I love hip-hop music, ... It's rebel music is how I like to speak about it. Hip-hop and reggae come from the same community as far as class...they both come from the bottom of society.
When you scratch the soul of hip-hop, you find R&B and funk but also reggae.
I like listening to reggae, hip hop, ragga and R&B when I am skipping.
I never hated hip-hop. It became the new rock and roll. It became the biggest thing that Africans have ever done in the history of the Americas. Hip-hop put more black Americans on than anything before it. It fed more people. It allowed them to diversify into clothing lines and billion-dollar headphone companies.
Nobody goes, 'I'm a top 10 fighter. Well, maybe Top 15. I can beat a lot of guys'... Nobody ever says that. That's the thing with having a grasp on reality. I know I'm not the best.
I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.
The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
I've been listening to a lot of dance, hip-hop, drum-and-bass, reggae, R&B - very rhythmical music.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Man, the feeling of the make is something that I can’t put to words, it’s the very best feeling in the world. I just chase that, it’s a very real feeling and straight up, I am addicted to it.
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