A Quote by Ike Turner
I'm really thankful to God, man. Like now, I'm really making a real comeback with my group. With or without a record, with or without a movie. And behind all the negative press behind this movie.
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A movie is like a tip of an iceberg, in a way, because so little of what you do in connection with making a movie actually gets into the movie. Almost everything gets left behind.
I have a real passion for playing a role that's a strong female character, that's just not typical, with a lot of heart, not an easy sell of a movie, not real commercial. It doesn't have to be a big movie, but I'm just looking for something that I really, truly, 100 percent believe in and am behind.
The creative process of making a movie really turned me on. I'd started getting behind the scenes with a camcorder and VHS tape when making music videos.
This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
Even though 'Spider-Man' is a huge blockbuster, it really didn't feel like that. It felt like we were making this weird, funny high school movie. Like just hanging out with a group of friends.
Making a movie like 'Felony' is hard work because you're really putting your own ideas on the screen. You can't hide behind some other person's script; you're saying, 'This is my brain, and I want you to know what I think'.'
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
God is the life behind your life, the sight behind your eyes, the taste behind your tongue, and the love behind your love. To realize this to the fullest extent is Self-realization. Without God's power you can do nothing. If you always hold this thought, you cannot go wrong, because you will have purified the temple of your mind and your soul with the vibrations of God.
I really do like a really good science fiction movie and a really good horror movie. Those are the kinds of things I really like. But, I mean, I'm not into sort of like slasher movies. I like a really good science fiction movie, which is hard to do. They don't make many really good ones any more.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all [people who had worked with Roger Corman].
I'm a fan of the western genre. When I see a character actor, I see a whole movie behind a scene before and after. There's a whole other movie behind it.
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