A Quote by Ikue Mori

I got tired of different drum sounds so you buy different effects for more manipulation. — © Ikue Mori
I got tired of different drum sounds so you buy different effects for more manipulation.
I've got different drum machines that I use for different things, but I think the older ones are always the best when it comes down to getting that 808 bass.
There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.
I love working with different artist with different styles and different producers with different sounds, creativity is everything.
'The Tin Drum' is one of my favourite books of all time - I've probably got 12 or 15 copies with different covers, different translations - but it's also just about my favourite film.
All we know about the world teaches us that the effects of A and B are always different-in some decimal place-for any A and B. Thus asking "are the effects different?" is foolish.
Not everybody likes or understands a drum solo, so I like to bring in effects and sounds to keep their interest.
I got tired of Los Angeles, and I got tired of the game a bit. I wanted to have a different life experience, so I moved to England, and I lived in England for eight years, and I worked there.
I like to come up with lots of different sounds. So the final version of a song might have been 10 completely different songs before we finally got it right.
We've got so many different cultural groups in my family that I've had to learn to accommodate them in different ways. My father speaks different to my mum. My mum speaks different to my grandmother. Everybody speaks different, so you find you start tweaking your language to be more accessible to people.
There are numerous different kinds of drum sounds - some are more ambient and roomy and this, that, and the other, the John Bonham kind of thing. Then there's kinda what I did with Pantera, which was much more attacky, and then with what I did for 'Blood For Blood' on the Hellyeah record is kind of a combination of all of that.
There is no such thing as a perfectly happy or perfectly unhappy man in the world. One has more happiness in his life and another more unhappiness, and the same circumstance may produce widely different effects on individuals of different temperaments.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
When I'm tired, I like to go and do drills where you catch tennis balls off walls. Different colors use different hands, and you've got to react to those types of things at different angles. I do all these crazy reaction-time things or reaction skills with tennis balls every morning, or at least four times a week.
The quad toms are a completely different animal than the standard drum set/trap kit. Playing wise and stylistically, they are two different beasts.
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