A Quote by Ikue Mori

I really didn't intend to be a musician when I left Japan. — © Ikue Mori
I really didn't intend to be a musician when I left Japan.
I can stop and retire when I get to Japan. I don't care if it's one show, that's all that's left for me. I just need to wrestle in Japan once and that would be the cherry on top.
I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
I'm always writing. And, I mean, I always counsel people when they call me a musician: I really do not have the skills of a musician. I really don't think like a musician, though I love music and I perform and sing.
One Missed Call,' it was regarded as a mainstream film for my career because it was big budget and filmed in Japan and it really opened wide in Japan, it did really well commercially. So I was really surprised.
I really still enjoy Japan. I love going to New Japan. It's great.
I didn't intend. The word "intend" is the wrong word for what I do. It's just that it's something you do, and you can't not do. If you want to do it, and you don't intend to, you do it anyway. The word "intend" is wrong. The word "pressure" is right. It's like any art form.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
Japan cannot conquer China with America in her rear, Soviet Russia on her right and England on her left - her most powerful enemies in the South Sea all flanking her. It is this international situation that constitutes one of Japan's great weaknesses.
Japan and Hawaii already have strong economic, cultural and education ties, and we intend to build upon those ties and relationships as we look toward the future.
In most of the stuff that I've done over the years as a sideman, I wasn't really a session musician, because to me, a session musician is a guy who makes his living in the studio, and I never really did that.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
When I lived in Japan, I only noticed the bad aspects of the country. I didn't really like Japan then, but when I moved overseas, I was able to appreciate the good side more.
I'm a real musician's musician: I get really geeky on chords and arrangements.
As a Latin musician, I understand that there are so many places where people don't know who I am. My albums never came out in Australia or Japan.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
It would be really nice to have a venue stop in Japan someday. Japan would be perfect for it.
This site uses cookies to ensure you get the best experience. More info...
Got it!