A Quote by Ilaiyaraaja

My practice is to take a sheet, write the song number in the left side, name of the production, and time of recording. Only when I have to fill the name of the singer do we look out to see who is free. When the singers we want aren't there, I end up singing it! That's how I became a singer.
At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
Since Bollywood is getting more corporate, it is getting difficult for the composer alone to take a decision unless you are a big name like Pritam or Vishal-Shekhar who can speak his heart out and say that 'This is the singer I want for this song.'
We call out-of-tune singers as 'Aurangazeb singers.' I wouldn't say I'm as bad as an 'Aurangazeb singer,' but I'm definitely no singer.
When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
If you're a lead singer, then you can't afford to be sensitive. On stage, everyone looks at the lead singer, even if you don't want them to - in America, they have those massive follow spots on you all the time; it does your head in. So, if you are a lead singer and you don't toughen up, you're in the wrong job, and you have to get out.
I see Nick's number. I debate whether to assign a name to his number. If I commit to that, then I will truly be heartbroken if he never calls me again; my heart will knot each and every time I use this phone and see his name in there. I would probably end up having to trash the phone entirely.
People go, 'Oh, you're another guy who crossed over to country.' I say, name another one. Name one other pop singer who's done what I've done as a country singer. There isn't one.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
The only reason I became the singer in the band is because I sang the best. It wasn't out of some desire to be a star or be a famous singer. It's not like I love interviews.
When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.
Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
I started training wrestling in the pre-social media era and I was very cautious - I thought, 'I can't have people know my real last name.' So I changed my last name to End because I always called myself 'The End.' I thought that was cool. I thought I'd take my real first name and my 'fake' last name, and that's how I came up with Tommy End.
Every good gospel singer you can hear is a scat singer; they're just using different syllables. There are a lot of jazz singers out there, and more coming out of the churches.
I was trying to make my name just Artist in the beginning, but it was weird at first, because I wasn't an R&B singer or nothing. Not an R&B singer. I didn't do no melodic songs, none of that yet.
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