A Quote by Ilaiyaraaja

When directors tell me they want a song like one, I tell them no song should be like another. I don't listen to directors. — © Ilaiyaraaja
When directors tell me they want a song like one, I tell them no song should be like another. I don't listen to directors.
But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.
We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.
There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
Some directors can tell stories and it becomes very intimate and small, and it's almost like a secret. Some directors have the gift of finding a way to show it and tell the story, in a way that brings in the audience.
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
Directors always used to be like the police to me - the enemy, the people to tell me what to do when I didn't want to do it. But I've lived with one for a while now and I guess I can put myself more in their position. You shouldn't be too sympathetic to them.
He [Oliver Stone] is great. I really like working with directors who know what they want and aren't afraid to tell you, "Do it like this. Don't do it like that."
It's dangerous for one actor to advise another one, especially when you're not in charge. On the set, I'm never gonna tell another person, "Here's what I think you should do." That's a discussion they should only have with the writers, producers, and directors.
I don't like albums; I like projects. I want to tell a story - I don't want to limit myself to 10 songs or four songs or whatever. I just tell a story and I want you to feel something. If it took me one song or if it took me four, call it however you want. So I call them projects.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
The melody will tell me what the song should be about, the tone of the song. That's when the intellect comes in. Because I have a list of possible titles and concepts, and I expand on that.
This site uses cookies to ensure you get the best experience. More info...
Got it!