A Quote by Ilana Glazer

All my brother Eliot and I did as kids was film sketches. — © Ilana Glazer
All my brother Eliot and I did as kids was film sketches.
T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
My brother and I spent countless hours as kids playing with our dad's home camera, we would create little sketches and movies and talk shows. But it wasn't until I was 10 that I started considering that I could do it as a job.
Pound was silly, bumptious, extravagantly generous, annoying, exhibitionistic; Eliot was sensible, cautious, retiring, soothing, shy. Though Pound wrote some brilliant passages, on the whole he was a failure as a poet (sometimes even in his own estimation); Eliot went from success to success and is still quoted--and misquoted--by thousands of people who have never read him. Both men were expatriates by choice, but Eliot renounced his American citizenship and did his best to become assimilated with his fellow British subjects, while Pound always remained an American in exile.
When Tim asked me to do Frankenweenie, he had his original sketches from before he did the short, of what Sparky looked like, and he drew Victor and some of the other crucial people. The remarkable thing about working with Tim is that, once he's read a script, he sketches out everybody else.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
I'm actually working on with Autism Speaks. Since my brother's 18, I wanted to work on a program for these older kids. A lot of the schools' special education programs end when the kids are 21, like my brother's school. What is next for these kids? I want him to be constantly active, and not just sitting at home. I want him to be constantly growing and it would be amazing if the funds could go to something like jobs for these kids, or a home where they can be together.
I'm not a big Austen reader. I wouldn't say I dislike her, but if I had to choose between her and Eliot to bring to a desert island, it would definitely be Eliot.
I have an older brother and older sister. My older sister is the girliest girl on the planet, so I just hated everything about that. I did anything my brother did. He actually got me into wrestling. I watched it because he did, and I played video games because he did.
I think I saw 'Ghost' at, like, 6 or 7 - like, a little too early to see 'Ghost' - but I would watch Whoopi over any kids' thing. Everything she did was so funny, and all of her scenes are almost like sketches.
'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.
My wife used to tell me one of my best qualities was that my feet don't smell, but I remember my brother's did when we were kids.
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
Everything was a lot more challenging for me because of who my brother was. If I were in the film, someone would had said that I got the part because Eddie's in the film. If I wrote a script, folks would say that I didn't really write that: that Eddie did and I threw my name on it.
I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.
The cool thing about 'Spy Kids 3D: Game Over' was that Robert Rodriguez brought back 3D. I feel like he did with that film. Now, every film is 3D.
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