A Quote by Ilana Glazer
In every character that you play... I mean, I don't think I'll ever be the type of actor or performer per se who transforms, you know? Like Claire Danes transforms into Temple Grandin - I'm not gonna do that.
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I play characters. I don't think I really have a persona per se. I don't play the same guy every time. I show up, you don't know what I'm gonna do. I like it that way. I've intentionally tried to do it that way. I think that's what's interesting.
Like an actor who transforms into the character that they're playing, you can transform into yourself.
I think any role you need to play not so much transforms but I like to think of it as understanding the psychology of another character.
I'm not one of those actors who gets so taken by a role that I can't live my life. I'm the type of actor who goes to work, transforms into a character, takes you on a journey, and then comes back home to be Billy. When I'm in it, I'm in it, but I know how to get out of it. When you can't shut it off, you're a crazy person. I'm not crazy.
I think it's important that when people are struggling, that you not run away from them if you love them. Kristen, I mean, I look at the room tonight, you know, Kristen Stewart and Claire Danes, Jennifer Lawrence, all these young women that I worked with who basically were child actors like I was a child actor. And then I feel very protective of them, because even though I think I have managed to get through the process relatively sanely, I have my scars, and I hope to be in some ways a member of their family that's out there protecting them.
I think I'm true to myself - you hear that actors have like plans. I'm gonna do this type of movie, then I'm gonna play this kind of character, and that'll get me from A to B. I've never done that. I honestly just follow my gut and I don't think you can go wrong with that.
Paul Giamatti is truly one of my biggest inspirations, and even more so now that I've gotten to work with him. Every single thing he does, he completely transforms into it. When I watch a film with Paul in it, I'm not like, 'Oh, there's Paul.' I'm completely into whatever character he's in, and I'm not thinking about him as an actor.
All I ever wanted to do was get a great job on a TV show. When I read 'Modern Family' and started looking at what was available - I obviously couldn't play Gloria; I couldn't play Claire. When I saw the character of Cam, I was like, 'I have to have a shot at this,' because I thought it was a character that would be really fun to play.
My personal assessment is that Dr. King is the greatest American we have ever produced. I can argue for Lincoln, I can argue for FDR, but for my money, King is the greatest American we have ever produced. His only weapon was love. He transforms a nation, transforms the world with one weapon and that of course being again the weapon of love. So that for me, King is the quintessential example of everything that I could ever want to be in my lifetime.
I think it's every actor's dream to play a character that's really odd, and you know no one wants to play himself.
With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.
I find I am more interested in the villain-type roles because they can be so much more complex than just the villain. I don't think anybody sees them as evil per se. They show how close we are to one another. It's an untapped area of art. And I think, physically, I'm not going to play the hero.
I'm a bigger fan of my directing than in acting. Acting is just harder. You know, not harder, per se, because directing is the hardest thing I've ever had to do. But it's harder to enjoy my work as an actor, you know.
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
I initially told people I wanted to be a dancer and ultimately a "Rockette." I didn't really know what a musical theatre performer was other than the Shirley Temple type.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
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