A Quote by Ilana Mercer

Cognitive consonance is what writing in the Age of the idiot is all about. The key to success in the scribbling profession is to strike the right balance of mediocrity in writing and thinking, which invariably entails echoing one of two party lines, poorly.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
I've been writing for decades that balance is an inapt metaphor as it necessarily entails tradeoffs.
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
From my vantage point in writing a story, I can't and don't and have no interest in thinking about the level of sophistication of the audience. I can only think about what interests me, and maybe what I would want to see if I were watching the movie. To me, that's the key to writing something that's not pandering.
Writing for TV entails saying every dumb idea that comes into your head to a room of people. And doing so with the confidence that it doesn't make you look like an idiot.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
There's no question that a public official of either party can take it too far, and it's up to the candidate to be able to strike that balance, the balance that is the separation of church and state. The way I've always looked at this is that every candidate has a right to talk as much or as little about their faith as they deem appropriate.
If you're writing, you're a writer. If you're talking about it or thinking about it, I'm not so sure. Writing is ninety-eight percent work and two percent magic.
For me, most of the anxiety and difficulty of writing takes place in the act of not writing. It's the procrastination, the thinking about writing that's difficult.
Writing seems to be the only profession people imagine you can do by thinking about doing it.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
I may be writing well, I may be writing poorly, but I enjoy the act of writing and sometimes when it turns out okay, I feel an elation that is incomparable.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.
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